Key to Loneliness
Nigel Wilson & Calvin Pijlman.
http://www.facebook.com/nigelawilson
@nigelwilson
Key to Loneliness
Nigel Wilson & Calvin Pijlman.
http://www.facebook.com/nigelawilson
@nigelwilson
Charmaine Poh.
http://psxcharmaine.wordpress.com/
@justslide
Fannin Street
Tom Waits can sing with
the warmth of the California sun in
your daughter’s first breath —
he can remind you of
the canyons carved down your spine
from when her tears careened across
your shoulders and spelled out Love
for the last time.
I want to know why baby showers
are decorated with Easter pastels and not
with the fingerprints of a man
who bled his life away
at the foot of a broken
crucifix.
I apologized a million times
over the morning you were born:
I’m sorry for the way your skin will sink.
I’m sorry for the way your heart will break
and for the way your tears will taste
when you realize
you’re all you really have.
I’m sorry for the way Father Time will rob you
and dance with you
and make you question
everything
until you don’t know
what’s fact or fiction anymore.
I’m sorry you’ll have to hold onto hope
the way you clutch onto that breast now,
and sip for every last drop.
I’m sorry for the way every memory starts like glitter
and ends like dust.
But I promise you,
You were born a cosmic child in a cosmetic world.
You are the difference between
creation & cremation:
the music, the meaning, the miracle.
You’ll learn one day that
it’s an acquired taste of beautiful
the way we toss our leather gloves and
spray crimson this is goodbye’s on the walls
before we run
like coffee & cigarettes
moonlight & quiet
and Tom’s voice snaking in through
the keyhole, singing
I know this is where the sidewalk ends.
Jason Lee.
View high resolution
Lonely Whales
Ben’s piece had me scratching my head for days. The piece was dark, like he said, and it spoke “tense” and “unhappy” to me—not a bad thing, but it had me stumped since they’re not adjectives I usually use to describe my images. I kept seeing static, machinery, and dissonance, and I tried to create something with those ideas in mind. I believe strongly that part of this summer art project, after all, is pushing us various artists to make work we wouldn’t otherwise… But I needed to find something that better matched my own voice. Finally it hit me: Ben’s piece sounded like two whales trying to communicate to each other via the internet. I imagined a whole narrative where two whales (desperately in love but terribly technologically illiterate) tried to communicate using Skype. (This lonely whale definitely crossed my mind.) I started playing with the idea with various images and forms, and this is what I came up with. It’s still very much inspired by Ben’s piece, but is also firmly me. :)
Serena Chang.
@goshgollygee
iimigrance
All sounds were derived from a portable Remington typewriter and a recently acquired Mountain dulcimer. I recorded the sounds through two contact mics that I built and placed over the sound holes or attached directly to the typewriter. The sounds were then sampled and heavily processed.
Here’s a little info that I patched together on the Mountain/Appalachian Dulcimer:
Although the Appalachian dulcimer appeared in regions dominated by Irish and Scottish settlement, the instrument has no known precedent in Ireland or Scotland. However, several diatonic fretted zithers exist in Continental Europe, which have a strong similarity to the dulcimer. Jean Ritchie and others have speculated the Appalachian dulcimer is related to similar European instruments like the langeleik, scheitholt and epinette des Vosges.
The langeleik is native to Norway, the scheitholt, Germany, and epinette des Vosges, France. All of these instruments are descendant of the Zither. When looking into the etymology of the word zither, we find ”citara”, which is derived from the Greek word kithara, an instrument from classical times used in Ancient Greece and later throughout the Roman Empire and in the Arab world (Arabic قيثارة); the word “guitar” derives from “kithara” as well.
I find interesting the migration of instruments and sounds. While they may specifically hold a “nationality” or association with a region, we often find that their migration provides a connection that traverses history, culture and space.
Benjamin Gaydos.
http://goodgoodland.com/
View high resolution
Nation
Doesn’t Weilin’s piece remind you of a flag? When I first saw it, I really admired its clean structure and the calming color scheme. After five days of lounging around watching Law & Order: SVU, I finally decided to create a flag as myproject. Since Weilin’s piece is so abstract, I wanted to contrast it by recreating a preexisting flag. The American flag has been used in pop art so often that it’s almost cliché. I tried to build on that cliché by including images of classic American icons and brands. Lastly, I used red thread to add a bit of color. I wish I could have done more with that, but alas, I ain’t no Betsy Ross. In addition to Weilin, I was inspired by the Yeah Yeah Yeah’s flag contest and photo collages I made of Ioan Gruffud’s face in the 6th grade. I loved making this and I hope you enjoy it!
Ruth Tam.
http://www.ruthtam.com/
@rooftam
Smiles masking truth
Presenting colorless sheets
Yield, bleed paint. Be loved.
This piece was about how everyone keeps certain secrets hidden away, and this interferes with forming true relationships with others. Let these secrets out and be loved by those who truly care because “those who matter don’t care, and those who care don’t matter”.
Kaiying Lau.